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|---------10-----10-----------------17-----17------------------| |---10b12----b12-----b12r10---17b19----b19----b19r17-----------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-------------------------------------14-----------------------| |-17b19-17-15----17b19-17-15-15-17b19----17b19-----------------| |-------------16-----------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |----------------------------10-------10-----------------------| |17b19--15-------15~--10b12----10b12----10b12r10---------------| |----------16-16----------------------------------9b11-9-7---7~| |-----------------------------------------------------------9--| |--------------------------------------------------------------| |--------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash