Premium Content

|-3---3-3-3--3---3-3-3-3-3-3-3--3---3-3-3--3-3-3-3-3-3-3-------| |-1---1-1-1--1---1-1-1-1-1-1-1--1---1-1-1--0-0-0-0-0-0-0-------| |-0---0-0-0--0h2-2-2-2-2-2-2-2--0---0-0-0--0-0-0-0-0-0-0-------| |-0h2-2-2-2--3---3-3-3-3-3-3-3--0h2-2-2-2--0-0-0-0-0-0-0-------| |-3---3-3-3---------------------3---3-3-3--2-2-2-2-2-2-2-------| |------------------------------------------3-3-3-3-3-3-3-------| |-3---3-3-3--3---3-3-3-3-3---3-3--3-3-3-3-3-3-3----------------| |-1---1-1-1--1---1-1-1-1-1---1-1--0-0-0-0-0-0-0----------------| |-0---0-0-0--0h2-2-2-2-2-0h2-0-0--0-0-0-0-0-0-0----------------| |-0h2-2-2-2--3---3-3-3-3-3---3-3--0-0-0-0-0-0-0----------------| |-3---3-3-3-----------------------2-2-2-2-2-2-2----------------| |---------------------------------3-3-3-3-3-3-3----------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash