Premium Content

|------------0----------3-3-----3--1-1---------3-1-----1--1----| |--1--1------0--3-2-----2-2-----2--3-3-------2-2-3-----3--3----| |--0--0--0h1----4-2-----2-2-----2--2-2-------2---2-----2--2----| |--2--2----------------------------0---0-1/2-------0-0------0-1| |3------------------0-0-----0-0--------------------------------| |--------0-----------------------------------------------------| |----------------------------3-3---2--2--2-2--------1-1-1--1-1-| |----1---1---1---1-----------2-2---1--1--1-1--------0-0-0--0-0-| |----2---2---2---2-----------2-2---2--2--2-2--------0-0-0--0-0-| |2-3---3---4---4-----------------0------0----------------------| |------------------0-3-2-1-0-----------------------------------| |--------------------------------------------0-1-2-3-----3-----|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash