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|----------------------------------------------------------------| |----------------------------------------------------------------| |--7--7--7--7--7/14-14-14-14-14-14-14-14\12-12-12-12-12-12-12----| |----------------------------------------------------------------| |--5--5--5--5--5/12-12-12-12-12-12-12-12\10-10-10-10-10-10-10----| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--10-10-10-10--9--9--9--9--7--7--7--7--7/10-10-10-10-10-10------| |----------------------------------------------------------------| |--8--8--8--8---7--7--7--7--5--5--5--5--5/8--8--8--8--8--8-------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-12-12-12-12-12-12-10-10-10-10--9--9--9--9--7-------------------| |----------------------------------------------------------------| |-10-10-10-10-10-10-8--8--8--8---7--7--7--7--5-------------------| |----------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash