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|----------------------------------------| |-13h15--13---------------3--------------| |------------15--12----------3h5-3-------| |--------------------15-------------5--3-| |----------------------------------------| |----------------------------------------| |----------------------------------------------3-| |-13h15--13---------------3--------------3--5----| |------------15--12----------3h5-3---------------| |--------------------15-------------5------------| |------------------------------------------------| |------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| |-3-3-5-5-----3-3------------5/7-5--2h3-2-2h3-2-5h7-5~-| |---------5-5------3-3--5----3/5----3---3-3---3--------| |-----------------------5------------------------------| |------------------------------------------------------| |----------------------------------------------------| |--------------------------------6-8-6---------------| |-------3-3----------------------7------5h7-5--3-----| |-5-3-5-----3-3--5-5-------3~---------------------5~-| |---------------------1-1--5~------------------------| |----------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash