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|-14------------------------------------------------| |----17/--------------------------------------------| |---------------------------------------------------| |----------2-2-2-2-3-5-5-5-3-2----------------------| |----------3-3-3-3-3-3-3-3-3-3--2-2-2-2-3-5-5-5-3-2-| |-------------------------------3-3-3-3-3-3-3-3-3-3-| |-------------------------------------------| |-------------------------------------------| |-------------------------------------------| |--4-4-4-4-5-7-7-7-5-4-4-4-4-4-5-7-7-7-5-4--| |--5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5--| |-------------------------------------------| |-------------------------------------------| |-------------------------------------------| |-------------------------------------------| |--2-2-2-2-3-5-5-5-3-2----------------------| |--3-3-3-3-3-3-3-3-3-3--2-2-2-2-3-5-5-5-3-2-| |-----------------------3-3-3-3-3-3-3-3-3-3-| |-------------------------------------------|-----| |-------------------------------------------|-----| |-------------------------------------------|-----| |--4-4-4-4-5-7-7-7-5-4-4-4-4-4-5-7-7-7-5-4--|-----| |--5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5--|--3~-| |-------------------------------------------|-----|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash