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|--------------------------------------------| |----------------------------------------8p5-| |-----5~-7b9r7-4----------------5--7b9r7-----| |----------------5-----7-7-------------------| |-5/7--------------5-7------5/7--------------| |--------------------------------------------| |-----------------------------------------------------| |-5-6~8-8/10-12-12b13-12b13-12-10-13-12---/6-5---6-5~-| |---------------------------------------------7-------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-------------------------------------------| |---------------------------------------8p5-| |----5~-7b9r7-4----------------5--7b9r7-----| |---------------5-----7-7-------------------| |5/7--------------5-7------5/7--------------| |-------------------------------------------| |--------------------------------------------------------19-19-| |-5-6~8-8/10-12-12b13-12b13-12-10-13-12---18-17----18-17-------| |----------------------------------------------19--------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash